00:00:00Amy Starecheski: While we're chatting. So-
00:01:00
Carol Zakaluk: I suppose my only question is really, I'm in the category of
I'm being interviewed because I'm telling my life story, in Mott Haven.
Amy Starecheski: Yes. That's right. Yes totally.
Carol Zakaluk: Yes, right. And not more in the Mott Haven gentrification project.
Amy Starecheski: Yes. Right, right. So you know I'll tell you sort of what
my thinking is about the project and what I'm interested in right now is
that, you know, I think we have a sort of a story to understand. You know,
disinvestment and arson and neighborhoods falling apart. And we have a story to
understand what people talk about is gentrification but there's not really
a way of talking about other ways that neighborhoods change. And so part of what
I'm interested in is being - by looking at the long - not just one period
or the other but how the two connect together and what's in between them in
this neighborhood I think it'll help us to understand something
00:02:00that otherwise has been kind of invisible about how cities work. Because you
know I've only been here for 20 years but the neighborhood has changed a
lot and now there's this discourse of like oh Mott Haven's changing
and it's been changing. It's always been changing. So I think that
with some starting off by talking to people who have been here the longest, just
to hear what their experiences in the neighborhood have been. And so the way it
works is that I'll interview you - I think we might need more than one
session we can start tonight and see how it goes. And I'm not in a rush and
I'll send you the audio when I'm done and you can listen to it and
I'll send you any transcript or index that I make but that'll take a
little longer.
Carol Zakaluk: OK. No problem.
Amy Starecheski: And if there's anything that you say that you feel
uncomfortable with or anything like that you can ask me to take it out. You can
also say that like I can use the interview but only use like parts of it and
only with your permission. You can say that you know I can use it but I
can't put it in an archive or share it for 10 years or that I
00:03:00put it into an archive and they close it for a period of time. You can also ask
to use a pseudonym but you know it's not the same as being an- being
anonymous. And especially -
Carol Zakaluk: Yeah, no.
Amy Starecheski: - a person like you with such a unique experience I think you
would still be knowable but you wouldn't be like Google-able then. But you
know most people choose to just make it open. But you definitely can listen to
it and make any changes after the fact, so I don't want you to feel like
when we're talking today that this is like going to just go right onto the
internet or something.
Carol Zakaluk: Right, right.
Amy Starecheski: Because there's a whole process in between where you can
make more decisions and think about it. And the legal release that I use
typically has you keeping the copyright to the interview but using a kind of
Copyright called Creative Commons that allows other people to use it pretty
freely as long as they acknowledge you as the owner of it.
Carol Zakaluk: Source, okay.
Amy Starecheski: And so there's there's also like different options
and nuances around that and I'm happy to talk about any of it.
00:04:00
Carol Zakaluk: Okay.
Amy Starecheski: Yeah.
Carol Zakaluk: I don't have any plan to write the story of my life and
publish it or anything at this time.
Amy Starecheski: Right, yeah. Yeah, yeah.
At the request of the interviewee, a section of logistical conversation has been
removed here.
Carol Zakaluk: And I was thinking that we were going to have more than one session.
Amy Starecheski: Yeah.
Carol Zakaluk: So that I am going to go back a fair amount of decades.
Amy Starecheski: Yes.
Carol Zakaluk: To other generations-
Amy Starecheski: That's fantastic.
Carol Zakaluk: Because four of my grandparents lived in Mott Haven. And
that's why I have to tell the story of how they got here.
Amy Starecheski: Yeah.
Carol Zakaluk: In order to fill in between them and me here.
Amy Starecheski: Right.
Carol Zakaluk: So it's a really long process.
Amy Starecheski: Yeah I'm not in any rush at all. I planned - for like for
you know, academics are slow and I'm thinking this is like a five- to
ten-year long project so -
Oh, great.
I'm going to be working on this for a while.
Oh, wow.
And I'm really, you know, starting - starting it up - because I want to do
things right and do them carefully and do them well and it takes time
00:05:00to really figure out what you think about something and then to write that and
publish it and bake things with it and all of that. So yeah I have all the time
in the world but I am really eager to get started and start like- start hearing
from people like you, so.
Carol Zakaluk: Okay. Is there any way that I can unplug this to turn that light
out? Just--? -
Amy Starecheski: Yeah, totally, yeah. Absolutely, yeah. Yeah, it's a lovely
- it's a lovely night to be inside and be cozy.
Carol Zakaluk: Oh and also I'm going to tell you before we start that
upstairs in the guestroom, the second floor, I have a bunch of toys for you,
either look I'll send you a photograph of them where you can take them home
without you, but they're there, and don't leave without me showing
them to you.
Amy Starecheski: Oh, yes. Okay, yes. Okay, okay. I will remember, I will look at
them. I'm going to just twist that one more time so it's not touching
your shirt. Okay, great.
00:06:00
Carol Zakaluk: Great.
At the request of the interviewee, a section of logistical conversation has been
removed here.
Amy Starecheski: Okay so let me introduce more formally. This is Amy
Starecheski. I'm interviewing Carol Zakaluk. Today is November 18th 2017.
We're in her home in Mott Haven. It's a rainy, cool Saturday evening
and we're sitting at her dining room table. So can you start off by telling
me where and when you were born?
Carol Zakaluk: Certainly. I was born October 15th 1955 in the Northwest - across
from the Northwest--corner of St. Mary's Park where there was a hospital
known as St. Francis Hospital. And my brother was born there, my sister was born
there before me, and then me.
Amy Starecheski: So I want you to just start at the beginning and tell me about
your family's history in Mott Haven.
Carol Zakaluk: Absolutely.
Amy Starecheski: Start wherever you want, talk as long as you want, I'll
jump in and ask questions if you need help but you should feel free to just
share what you want to share to get started.
00:07:00
Carol Zakaluk: OK. I figure I would introduce you, one by one, to the four
grandparents that I had: my mother's parents and my father's parents,
because at one time or another they all lived in Mott Haven. In fact my
grandparents on my mother's side lived in the building we're sitting
in. Should I give my address?
Amy Starecheski: If you want to, yeah.
Carol Zakaluk: Why not? It's 422 East 136 Street. So I'll talk about
them. And at one point my paternal grandparents lived across the street in the
Northeast corner building which I could give you the address of later. So
let's start with Karel Boekhoff, who is the person I am named after. His
name was K-A-R-E-L. Karel, which was a German-Dutch name and his parents were
from Spandau, Germany, which is a section of Berlin [correction:
00:08:00lived in Winschoten, Holland--but originally they were both born in Germany.]
and here they are, very sober looking And they decided that they would leave
Berlin [correction: not Berlin but Germany] and they would go and start a new
life in Holland. So they went to rather rural Holland to set up their new
family. And the name of the town is Winschoten, but I'm not sure how to
pronounce it in Dutch so I'm going to spell it: W-I-N-S-C-H-O-T-E-N. And
they moved to Winschoten, and what did they do for a business? They set up a toy
store. And they proceeded to have a lot of kids and the kids were extremely
popular because their parents owned the toy store in Winschoten. Everyone skated
and everybody had a really happy childhood, but when they got to be around 16,
17 years old, the parents told each kid that they had to kind of have
00:09:00a job and make sure that they could earn their own money. So here we come to
Karel, who - here's Karel. And he is a journeyman upholsterer. He has
decided, more or less his parents told him, "You have to pick a trade. Go out
and do something, be pretty sure that you can make money," so he became an
upholsterer and when he was 24 he emigrated to the U.S. So there he is. And here
is his family on a trip when he returned to Winschoten [showing photos] .
Amy Starecheski: Oh my gosh.
Carol Zakaluk: To give you an idea of the large family that he came from in Holland.
Amy Starecheski: It's a picture of probably more than 20 people, sort of a
formal posed photograph at a garden.
Carol Zakaluk: So Karel comes to the U.S. and he has no family here and he goes
to work temporarily at the post office because he doesn't have a
00:10:00lot of work as an upholsterer. So what happens when he's at the post
office? He meets Harriet Boekhoff - sorry Harriet Thaens, who turns out to be my
grandmother. But let's see what can I tell you about? He meets Harriet, and
they fall in love. Let's see, what else? Where is the picture of Harriet?
He meets Harriet. Here's Harriet. Here's my Grandmother: Harriet
Boekhoff, and who does she look like?
Amy Starecheski: She looks like your daughter.
Carol Zakaluk: She looks like my daughter, she looks like me -
Amy Starecheski: Yeah.
Carol Zakaluk: And she looks like my mother. The four of us really look a lot
alike and that's pretty cool because Harriet was born in the
00:11:00Bronx. But I digress. Let's stick with Karel Boekhoff first and then go
back to Harriet. So, they meet at the post office, she's much younger than
he is and they decide that they're going to be married. So they get married
and they set up - oh here they are before they get married. There's Harriet
in Pelham Bay Park. Here's Harriet and Karel in Pelham Bay Park.
Amy Starecheski: They're standing in, like, a wetland - it looks like, or a
meadow, tall grass, and they have a like little like leisure - this is 1917 it
says on the back they have like 1917 leisure outfits on, big white hats.
Carol Zakaluk: Yes, they're very cute. And here's Harriet and her
sister, Eva. And Harriet and Eva again. And that photo is probably in
00:12:00Castle Hill in the Bronx, which is where Harriet was born. I might as well go
into Harriet.
Amy Starecheski: Sure.
Carol Zakaluk: Harriet is from a family of 10 children and their main seat was
in Fourth Avenue which is now called Sunset Park in Brooklyn. So all of the 10
children except for one were born in the United States and in Brooklyn. Harriet
happens to have been born in the Bronx because for a couple of years the family
tried, some part of the family, tried living in the Bronx, they didn't like
it, it was too hilly, and they went back to Brooklyn. So, Harriet is from this
very large family, and she gets with Karel, and they get married in Manhattan.
And where is their wedding picture?
Do you know where her family was from?
00:13:00
Yes, I will be going back to that.
Okay. Okay.
Here's Karel and Harriet, getting married, and they are very happy, but
he's much older as you can see, he's more than I think 14 years older
than she is.
Amy Starecheski: I'm interested in looking at -there's like a- all the
pictures have like a stamp from the studios that made them.
Carol Zakaluk: Yes. And sometimes there's even an address.
Amy Starecheski: Yes. This one's 3rd Avenue.
Carol Zakaluk: And often- many of the photographs that I have- Yes. Many of them
were studios in the Bronx, but I know because I've read other documents
last night that they got-- their wedding dinner was at 56th Street in Manhattan.
So I'm not 100 percent sure whether they got married in the Bronx and then
went to dinner in 56th Street in Manhattan, that doesn't really make sense
to me. I think they probably got married in Manhattan. Where they set up their
domicile together was East 88th Street in Yorkville, which is where
00:14:00Germans lived back then. Her family, Harriet's family, was from Germany.
Her parents were from Germany and we're going to get to them in a second.
Here's Harriet as an adult. And she lived in this house with Karel, of
course. Now, I'm going to digress and go over to her family. This is - her
parents, Harriet's parents, and they were both from Germany [editorial
note: specifically, Spandau, which is the old section of Berlin] and they came -
he came in 1883 and she came in 1888. They met in the United States and were
married. And they had 10 children: five boys and five girls, five fat ones and
five skinny ones. And they were all funny [editorial note: humorous] .
And, as I said before, they all lived in New York City and they
00:15:00stayed in New York City as adults raising their families, except for one who
moved to Southampton, Long Island because it was the middle of his Nabisco
Cookies sales route, when Southampton, Long Island was just dunes. So, he and
his wife bought a 1920s farmhouse in downtown Southampton which today is two
blocks from the ocean, two blocks from downtown, two blocks from the post
office, two blocks from the library. It's really centrally located and
it's stayed in the family all this time. And because that particular
brother never had any children, didn't want to have any children, everybody
else's children and families would visit him. And he was the only one that
lived near the ocean and they loved the ocean. So in my life, going
00:16:00to Southampton and visiting Great Uncle Charlie was always a wonderful- Every
summer we would spend 2 weeks there and we would often rendezvous with the other
great aunts and uncles so I knew them very well and they were very much a part
of our lives. And every single thing that we have in this house except for,
maybe one desk and a couple of modern bookshelves on the top floor, everything
is from the families of either my grandparents, my other grandparents across the
street or one of these great aunts and uncles because they would die and we were
here, living in New York also. So I enjoy eating on - Aunt Els--- Great Aunt
Elsie's kitchen table and Great Uncle Henry's kitchen table on the top
floor. It's very much a warm feeling that I have as I go through
00:17:00the house remembering all these people who are now all dead. So back to them,
this is, let's see. This is a photo of the ten great aunts and uncles and
their parents, these two, on their, let's see, this is a wedding
anniversary. So here's their original wedding photo, and here they are
having their wedding anniversary. And these are the great aunts and uncles
sitting next to them at that table. [editorial note: Golden Wedding Anniversary.
Charles Thaens and Mary Holtz were married in 1890. Present are their children
Helen [b. 1862], Charles [b. 1894], Harriet [b. 1896], Fred [b. 1897], Henry [b.
1899], Elsie [b. 1900], Eva [b. 1902], Rudy [b. 1905], and Elise [known as
"Lee," b. 1907]. The eldest child, William [b. 1890] was deceased at the time of
this photo.]
Amy Starecheski: It's a huge room full of - I don't know, maybe 60 or
100 people eating at long tables, everyone's face and the camera is really
dressed up. 1940. Yep.
Carol Zakaluk: Yep Mrs. Felzmann's, I believe? Felzmann's restaurant
was the site of all the family celebrations because it was more or
00:18:00less down the street from where they all grew up in that Brooklyn house on 4th
Avenue in Sunset Park. [editorial note: Felzmann's address on the menu 991
Fourth Avenue, Brooklyn, NY, and date of the occasion is February 8th, 1940] So -
Amy Starecheski: In the corner it says as union-made photograph, Knickerbocker
pictures, 82 Court Street, Brooklyn New York.
Carol Zakaluk: So this is one I really have to flatten one of these days.
Amy Starecheski: It's stored in a cardboard tube that says "Carol's
Copy" on it.
Carol Zakaluk: This is a very popular photo in our family, let me tell you.
Amy Starecheski: It's amazing to have that of everybody together.
Carol Zakaluk: I know, it's not the only one. There's at least one
other one of a different family gathering, her birthday. Oh, here, maybe this is
it. This is when -- her husband eventually died, they still continued to
celebrate at Felzmann's. This is her birthday and she is I don't know
how old. Old. And they're still at Felzmann's, and two
00:19:00different occasions, so here they are- so there's at least three different
occasions documented in these photographs.
Amy Starecheski: Right. 1947 - looking at the backs, 1947, yeah they like this restaurant.
Carol Zakaluk: Yes they do.
Amy Starecheski: There's kids and grownups, old people, young people.
Carol Zakaluk: Of all of those 10 great aunts and uncles, only one of them
finished high school because it, of course, was the Great Depression and they
were not allowed to complete school. So, only Aunt Lee finished high school and
she worked for Bell Telephone and did very, very well and never married and owns
stock and she's the one that stayed in the family property in Brooklyn so
that whenever we had family gatherings in this city we all would go back to 4th
Avenue in Brooklyn to her house and have uh, very jolly times. So
00:20:00that's that end of the family, and I may go back to some of these people
because they are all characters and they were very much part of our lives
growing up. Very funny, wonderful people. So what can I tell you next? OK oh
back to Harriet and Karel. Harriet and Karel got married, lived at East 88th
Street and eventually they had Clara, my mother, the first-born. And Clara grew
up for the first three years there on East 88th. And then, I'll go back to
Karel being an upholsterer, he made money being an upholsterer by working on
furniture and draperies and big hotels in Manhattan and he did not have a
vehicle but he would go to the Astor Hotel, he would do drawings for
00:21:00them showing what the draperies would look like when he was done repairing them.
They would OK that, was really a very good artist. I have some of the art that
he did showing lobbies and furniture repair. And they would OK that, he would
then hire a truck, he'd go down and he'd bring the furniture back to
the basement of this building and he would reupholster things, and then he would
return them. So he did that. That was his living for years and years and years.
And one of the people that he worked with was Miss Elsie Niemeyer. Elsie
Niemeyer was a seamstress who helped him with curtains, etc. And she lived next
door in 420, in the basement, where she lived and cooked for the man who owned
the house and his name was Sterling S. Sterling, a graphic designer.
00:22:00I kid you not, I know, you're allowed to laugh in this. Sterling Sterling.
Sterling Sterling was a graphic designer and he, where's Sterling? Here it
is. He made things like this for a living. He was hired to make etchings, to
create plaques. Here is a sample Sterling Sterling, "Department of Street
Cleaning, George Waring, Jr. presented to him on his retirement," and he
hand-lettered all of these things. And here is one that he made after my
grandfather became his next-door neighbor. This was a thing that he made for my
grandfather's birthday. "Felicitations to the Winschoten boy of
00:23:00Holland who made good, the half century birthday of Karel Beckhoff, the man who
always concentrated on the idea that 'American' ends in 'I
can.' April 8th 1932 at the Boekhoff residence 422 East 136th Street. We
all must remember the world's greatest date and loudly exclaim on each
April, the 8, 'tis the birthday of Karel, the father of three, and the
hubby of Mrs. Harriet B." So he was a wonderful guy, and to jump ahead for a
minute, when Karel and Harriet got this house, my mother, Clara, became a
special favorite of his, Sterling Sterling. So when Sterling Sterling decided
that he was later-- I'm jumping way ahead --.When Sterling Sterling decided
he was almost dying, and he wanted to pass the house on to somebody, he let
Clara have first right of refusal for buying the house, and she wound
00:24:00up buying the house next door when she was married, etc. We'll get there.
So back to Karel being the upholsterer. Karel is an upholsterer and he works
with Elsie Niemeyer and she lives in the basement next door and cooks for
Sterling Sterling. Well, he comes up to visit Elsie Niemeyer and he sees the
Bertine Block, in which we sit. This is the historic district known as the
Bertine Block because Mr. Edward Bertine was the developer who built 10 houses
on this side and 10 houses on the other side in 1891. Where am I?
Amy Starecheski: He comes up, he sees the Bertine Block.
Carol Zakaluk: He comes up, thank you. He sees the Bertine Block and he decides
that it looks like Holland. And he says, "I really really love it
00:25:00here, Elsie. Let me know if anything comes available." So when this house
becomes available because the guy that owned it for 25 years whose last name was
Brandt, B-R-A-N-D-T, could no longer pay the mortgage. He was in it for 25 years
doing fine, and then suddenly something happened. He owed only 5,000 more
dollars on it and he defaulted. So the house is now up for auction. And of all
places the auction site is what is now the Chase Bank on 137th Street and
Lincoln. It was then the South Bronx Board of Trade so that's where the
house is up for auction. So Elsie Niemeyer tells Karel, and Karel and Harriet
both go to that building and Elsie goes too and they made the largest
00:26:00bid. They offered something like 7,500 dollars for it, something like that. And
on the spot they had to pay 750 dollars. So Elsie loaned that to Karel because
she really liked him and thought he'd be a good neighbor, wanted to see
somebody good next door. And during the first month he had to come up with
another amount of money. 3,000 dollars, she owed, loaned him that also. And so
over the course of time it took him 12 years to pay off both Elsie Niemeyer and
the church or whatever the bank that owned the rest of the house. I don't
know for sure who the mortgage holder was but it took him 12 years, he worked
really hard and eventually it was his and Harriet's. So that's the
story of how Harriet and Karel came to move in here, and he added the
00:27:00shelf around the top of the room we're sitting in, which he called a "Dutch
shelf" so that you could display plates. And this is wallpaper. It looks like
the walls are made of wood because they're very dark brown but it's
actually wallpaper that you can still get through certain English companies in
white in four or five different patterns and then you can paint it whatever
color you want. But he really liked the dark idea of dark wood because
that's what you saw in Europe of his youth. And I think Harriet did not
like how dark it was. But even after he died she did not paint it.
Amy Starecheski: It's like a textured wallpaper that kind of looks like
stamped tin.
Carol Zakaluk: Yeah, it looks like stamped tin. Exactly right. But it's -
it's paper alright, and one of these days I'm probably
00:28:00taking this wall paper off on that wall because it's crumbling behind there
and I will paint that one wall and keep the rest of it.
Amy Starecheski: What year was it that they moved in here? Do you know, approximately?
Carol Zakaluk: Yes. Yes 1921. So my family's been here for 96 years. And
it's been a long time. And then, Harriet had three children and we're
going to go over them. Clara was first and very vicious [Please check the
recording--I meant vivacious! Never vicious.] and really a happy kid, very, a
little bit chubby, very round. And what followed her was Mary. Now Clara was
born in Yorkville, but Mary and Robert were born here. In fact Robert was born
in the second floor front room. And let's see if I can just show you a
couple of pictures. This is shortly after they bought this house.
00:29:00That's Clara and that is Karel and Harriet.
Amy Starecheski: They look really happy in this picture.
Carol Zakaluk: Yeah they look pretty happy.
Amy Starecheski: It's a studio portrait which is kind of unusual for people
to have much expression on their face at this -
Carol Zakaluk: And this is Harriet and Clara around the same year at some sort
of social gathering. And in that one she really looks like me, I think, old
Harriet. And this is the three kids together. That's Robert in the middle,
who's probably around 15 or 14. And Mary is at least three years older, so
maybe 18, and Clara is probably 20.
Amy Starecheski: Clara looks just like Harriet.
00:30:00
Carol Zakaluk: You think? Yeah, she does. She really does. Yep. And then
here's Robert again and then here's the last one of Robert and now we
get to a sad twist because Clara and Mary were very happy, very good at school,
really excellent students. And Karel was kind of strict because he was from the
old country and he wanted them to make sure that they would toe the line about
many things. So Clara and Mary excelled at school. Clara went on to - well
always wanted to be a teacher. And so she made sure that she went to Hunter
College which was kind of I guess for smart girls, back then. It was all girls.
And for somebody her age to go to college was unusual back then and
00:31:00Mary went to Vassar and was, practically got a master's degree in
psychology and was only short the thesis. So they were very high achievers. But
at age 15, Robert, who was kind of a sensitive boy who liked English and poetry,
wrote poetry, asked grandpa, my grandpa, Karel, if he could smoke and said, "You
know the other boys are kind of mean to me in gym, in particular, and you know
pushing me and whatnot." And, Karel said, "No, not old enough to smoke, sorry."
And unfortunately Robert committed suicide and no one is quite sure why he
didn't reach out to anyone. He committed suicide, born in the
00:32:00house, second floor, front room, committed suicide in the top floor middle room,
and was found by my mom. And this is the family tragedy. In fact it was such a
tragedy that nobody told us three children, Clara's three children, we were
not allowed to know about it until we had passed the age at which he committed
suicide. So we were told, this photograph of Robert golfing was up on the mantel
piece. And whenever we would ask, "what happened to Robert again, grandma?"
Harriet would say he died of a disease and she was vague about what the disease
was, she would not really specify. "Oh you're too young to understand," and
she would get very quiet but we never suspected until one day when I was about
14 or 15 when one of my cousins told me because it had slipped out in
00:33:00her family. So that's a very unfortunate thing that happened. It's
possible he was gay. That stuff wasn't talked about back then. Who knows?
And we certainly don't know. We have some compositions that Robert wrote in
school. And that's it,- he was a decent writer. So that's -.
Amy Starecheski: He was a teenager when he committed suicide?
Carol Zakaluk: Yeah, he was 15. So I'm very sad and I'm very sorry
that I never got to know my uncle because this was well before I came along. So
Mary, his elder sister, was very close to him because she was closer in age to
Robert. So she was quite broken up about it and she began to stutter and never
lost her stutter for the rest of her life but only she - she only
00:34:00stuttered when she was very nervous about something, she didn't stutter all
the time. She just stuttered once in a while, so. But other than that Aunt Mary
had a terrifically successful life. She wound up marrying a chemist who she met,
she-- after she graduated from Vassar. Aunt Mary wound up being a secretary,
unfortunately. Amazing that women could only get work as secretaries! She became
a secretary in the Chemistry department at Princeton, and she wound up marrying
a Princeton graduate student who was working with Einstein, and he went on to do
really good, important things in the chemical world. And he moved her to,
eventually, to California and they had four tremendous cousins who
00:35:00were close in age to me [editorial note: "children," I meant, who were my
cousins] . So even though my brother and sister are much older than I am, I was
the same age as my four California cousins and I often got farmed out for two
weeks a year to be with the Todds-- the David Todd family with Aunt Mary, and I
just love them to this day. They're like my brothers and sisters. In
addition to my own sister and brother. So here's-- we're going to
forget about Robert-- sorry Robert--don't know you enough to tell anymore
about you. Here's Aunt Mary in high school graduating, Aunt Mary graduating
from Vassar.
Amy Starecheski: Do you know where she went to high school?
Carol Zakaluk: I know my mother went to Julia Richmond High School and then to
Hunter, but --but I don't know where Mary went, but I could find out.
And then just one picture of the thousands of pictures I have. This
00:36:00one is not a cousin, that's a wife of a cousin, but these are the four
Todds. There's Uncle Dave the scientist, Aunt Mary, Becca, Brian, Raymond
and Cliff and that's Brian's wife, Denise, but, awesome family.
Amy Starecheski: So, now we're in color.
Carol Zakaluk: Now we're in color.
Amy Starecheski: And maybe in the 80's, it looks like, I'm judging by
the outfits.
Carol Zakaluk: Yes, now we're in the 80's. I literally have thousands
of photographs of the Todds, me and the Todds, us and the Todds, Todds doing fun
things, and there will be more because they're still very active with us
and there's my mom graduating from Hunter. Happy lady.
Amy Starecheski: Yeah. It's a beautiful picture.
Carol Zakaluk: Yeah. So Karel not only worked in hotels like the
00:37:00Astor Hotel and brought things to the basement. He also at one point was part of
a craft guild that had a storefront on 138th Street. So these are all the craft
guild members who shared rent on that craft guilds shop. And I'm so sorry I
don't know the address of it. I'd love to know. And that's Karel
in the back. Lots of people have their work aprons on. I couldn't tell you
anything. I guess they're plumbers and they're electricians and -.
Amy Starecheski: It's all men. There's maybe 40 of them.
Carol Zakaluk: Yep.
Amy Starecheski: Lots of mustaches.
Carol Zakaluk: Lots of mustaches.
Amy Starecheski: And yes, some of them are wearing aprons, vests, all wearing
ties, pretty much.
Carol Zakaluk: Oh yes, they were very formal craftspeople. When I renovated this
house, when it became mine and my husband's, and I took things
00:38:00out of the basement, on recycling day, the line of old tacks and old, little
"doo hickeys" that you needed for upholstering fabrics and furniture went from
the front of 422 property line to the front of 420, so 30 feet of boxes of rusty
tacks and rusty nails and things like that, that he was-- that he kept in the
basement because that's where he worked. So I still have about three or
four of his tools that are very beautiful shapes that he would use to make the
outlines for furniture. And I'm very happy to have those, and clamps-- very
unusual, huge wooden clamps that he used to hold glued pieces together
downstairs. And that's my tribute to Karel. So, let's see.
00:39:00This is just the last few pictures I'll show you. This is the Bertine Block
in 1891. Before the houses across the street, which are also landmarked, were built.
Amy Starecheski: Oh my gosh.
Carol Zakaluk: So that is in the, one, or one-and-a-half years before the houses
across the street were started, because the photographer is standing in the
empty lot on the north side.
Amy Starecheski: Not just they're- they're very pretty three-story
buildings. They have -they're unusual partially because they have a wide
range of different kinds of roof lines on them, the decorative touches.
Beautiful, beautiful buildings.
Carol Zakaluk: Yeah. They're really great buildings. Bertine thought that
he would make extra money building this developmental project by making them 15
feet wide instead of the traditional 20 feet. So he could cram more
00:40:00houses into the shorter amount, into his space, and make more money that way.
And this dawned on me one day when I was looking out, the top floor window onto
the street when, maybe in the 70's, and I looked straight down and I saw my
father's station wagon parked immediately in front of the house and it was
exactly the same width as the house, an I thought, "Wow. We live in a narrow
house!" One of the ways in which you feel that in the day to day-ness of living
in this building is this the size of the furniture has to be a little bit scaled
smaller in order to actually go up and down the staircase to get into the
different rooms. And now that I'm the landlady of 420 next door,
00:41:00every time I move somebody in I'm sure to warn them in advance,
particularly if they haven't bought any furniture yet: make sure you buy
your queen size bed in two pieces, in two halves, in order to get it up the
steps. So anyway, and last but not least I have this fantastic old picture of
420, so pretty with its second floor bay window.I think it's probably the
nicest of all of the houses in the Bertine Block, just my prejudice, I'm sure.
Amy Starecheski: One of the things that's interesting about them is they
have the numbers put in little stained glass panels above the front doors and
the numbers are old. They're 600 numbers, they're old numbers.
Carol Zakaluk: They're old numbers because the numbers - the numbering
system in the stained glass was from when this was called North New York, not
yet the Bronx.
Amy Starecheski: Yeah.
Carol Zakaluk: So 676 is, I think our stained glass number, and
00:42:00sometimes Chinese food guys, when they don't know us yet, go around and
around and around the block because the light shines through the stained glass
at night and they think, "676, that's not right!" and they go around and
around. So what else can I tell you about us? I could go back and tell you about
my, my parents more. My mom, was, of course, did become a teacher. She was a
teacher right out of the box graduating from Hunter. She chose to go to a town
on Long Island where there is a laboratory. Brookhaven. Brookhaven, which is a
relatively small town on Long Island. She was the principal of a school that had
four classes in it. So yes, my mom was, right in the box was a
00:43:00principal, and she loved being a teacher. Loved loved loved loved loved. I have
not yet talked about my dad very much. My dad, that was of course --Clara
Boekhoff, is, uh, working on Long Island--. But let's go back to when she
was 16 and living in New York, living here in this house and she went to Julia
Richmond High School. One day, she was coming home from school and visiting her
friend Sophie Sochernik, who lived on 100th street. And she, my mom, always
loved candy. My mom, as I mentioned, was kind of a round person and she loved
sweets. So my mom had a bag of candy. She goes to - walks from 62nd
00:44:00Street up to 100th Street because they like walking. They get to Sophie's
block and there are a bunch of Sophie's neighbors. So my mother holds out
her paper bag of candy and offers it to all the people, and my father is one of
the people. And he's 15. And he notices because this is the kind of mind my
father has, very scientific and very observant. My father notices that there are
exactly enough pieces of candy to go around to the people standing in the group
but none for her. And my mother is beaming and so happy to meet everybody and so
generous with this candy and my father thinks this woman is especially generous
and that's really unusual and I take note. So my father and my
00:45:00mother start dating when they're 15, 16 and there is, on my computer, and I
can show it to you another time or later I can dredge up my father and my mother
on their first date roller skating in Central Park. And they're very cute,
very cute. And they did not immediately feel the need to get married or
anything, they didn't get married until they were 24, 25. But they loved
each other and they dated. They went to the same camp which was for young adults
in New Jersey called Camp Karamac, actually Delmar -Delaware Water Gap area. I
think that's New Jersey, maybe it's Pennsylvania. [editorial note:
Camp Karamac was partly in NJ and partly in PA, along the Delaware Water Gap] .
They're both in Camp Karamac, some summers and they certainly see a lot of
each other. My mom does kind of temporarily fall in love with another
00:46:00camp Karamac guy who is of German descent. And everybody has a nickname at this
camp. So my mother's nickname is Pantywaist because she's a kind of a
good girl and does everything right. The romantic interest who grows up to be a
doctor later, his name is Santa for Santa Klaus because his real name is Klaus,
and my father's nickname is Blackjack. So, everybody has a nickname. My mom
is really smitten, but they would not allow Klaus and Clara to get married,
Klaus's parents, because she was not well-to-do enough. So she would have
interfered with his big plans to become a doctor. Lucky, lucky for my dad that
that happened, because he was her fallback. And so Stephen Zakaluk
00:47:00wins out and they get married. But let's go back and talk about him for a
minute. His parents were Michael Zakaluk and Anastasia Zakaluk.
Amy Starecheski: I'm gonna just move your microphone if you don't mind.
Carol Zakaluk: Oh, sure. No problem.
Amy Starecheski: It's rubbing a little bit right there.
Carol Zakaluk: OK. There we go.
Amy Starecheski: There you go. Yeah.
Carol Zakaluk: So Michael Zakaluk and Anastasia Zakaluk were both from the
Ukraine and they did not know each other in the Ukraine. They were from towns
that were not too far apart, near Lvov and she back in Lvov, Anastasia Zakaluk,
whose name back then was Fedychenskaya 'cause she was not yet married to
Michael Zakaluk Anastasia Fedychenskaya was one of many children and they were -
the boys especially-- were continuously sent off to fight in various
00:48:00skirmishes, not war even, but just first this one dies and then one dies and
then this one dies and suddenly she is the eldest. So the family expects her to
get married to better their situation in this little town, and they expect her
to marry an eligible older man from the next village and she says, "You know
what I've - I have done the right thing. I've done everything
you've asked me to do my whole life of 17 years but this I will not do. I
will not marry that guy." So she decided she would, all by herself, go to
America. And say, you know, didn't --loved her family and loved everything
about her village and her traditions, but she decided that she would get on a
boat in Bremen in Germany and sail to America. She had one woman who
00:49:00was willing to say she was a cousin so that she could enter, you know, at Ellis
Island and who would give her a job cooking and caring for two or three kids. So
she lived in a very small room. She made two or three meals a day and on
Saturdays or Sundays she could sit on the stoop and have some time to talk with
neighbors or have some time to herself. And that's how she wound up meeting
Michael Zakaluk 'cause he knew she was available. He had come around the
same time - he came with nobody at all. And he spent his first night sleeping on
a bench in Central Park. Yes. Amy widens her eyes as I did too when I heard that
factoid about him! So they decide that they're ready to make a family
together. They're ready to get married. They get married. I have
00:50:00an incredible almost hilariously atrocious wedding photo of them. They look so
stiff and they have so many layers. I can - definitely have to find that one to
show you and so many layers and she has so many flowers on her head you can
practically not see her face and they both look really stern, you know, on their
wedding day! But there was that picture and it was in their house for every
Sunday when we went to visit. There was that wedding picture sitting right above
where she was sitting, so I got to know it very well. Anyway, so they got
married and they set up a Ukrainian grocery store. The first one was on 5th --
4th Street. The second one was on 3rd Street and the third one was on 5th Street
in the Ukrainian area of the Lower East Side which is still where one goes
to go to Veselka's, which I do regularly where nobody else can cook
00:51:00like grandma Zakaluk in New York City except maybe the people at this restaurant
[Editorial note: If I said, "office," I misspoke!] . So I, I'm a regular
there and that's where my dad grew up. Often they had one or two rooms
behind the grocery store. A couple of times they had rooms either across the
street or above the grocery store. And not only did they sell groceries but they
also supplied all of the local Ukrainian churches, and there were many, with
holiday fare. I think my grandmother cooked a turkey every other day of her life
while she was working which we found hilarious because my mother did not cook
very much. In fact my mother living across the street from grandma Zakaluk and
next door to her own mother, my mother never made a turkey in her
00:52:00life until she was over 50 years old because there were these other two ladies
who lived right there. So anyway, during their work life they were mostly based
on the Lower East Side. For fun, my grandfather Zakaluk - Michael Zakaluk-- used
to jump on the trolley or the subway and he would go to the end of the line and
then turn around and come back and he did this partly to get away from Grandma
Zakaluk who talked a lot and who was always yelling at him. And partly because,
at least this was his excuse, 'cause he said that she - that he needed to
keep an eye out on other parts of the city where a grocery store might be needed
just in case he got priced out of the Lower East Side. And lo and behold after
the, the Fifth Street store - I guess when they were about 50 years
00:53:00old or so, he decided to move the store to East 100th street, which is where my
father was for part of his teenage years and where he met my mother. So good
thing they moved the grocery store to 100th Street or they would never have met.
So grandma and grandpa Zakaluk lived on East 100 Street until my parents got
married, and my parents got married when they were 24 and 25 years old. My
father was a Lieutenant during World War II and then upon exiting World War II
they elevated him to Captain. It was like an honorary discharge promotion so
that he would receive the benefits of a Captain in his retirement from the
military. But they got married while he was still in, and Clara was
00:54:00living here at the time. He came home on leave and they got married in that
building in the Bronx that has the statue of a woman sitting outside that was
called 'No Longer Empty' for a while?
Amy Starecheski: Oh yeah the Friedman home.
Carol Zakaluk: No, not that one.
Amy Starecheski: No not the Friedman home.
That was east of the Friedman home. It was a- it was a courthouse.
Oh I know what you mean. Yes. Yes, yes, yes.
The courthouse. So that's the building they got married in.
With the big steps?
Carol Zakaluk: With the big steps, big steps.
Amy Starecheski: Yes? okay. On The Concourse.
Carol Zakaluk: On the - No it wasn't on The Concourse.
Amy Starecheski: Oh.
Carol Zakaluk: It was on 3rd Avenue, I think.
Amy Starecheski: Oh, ok. I must be thinking of something-
I'll find out.
Ok.
I'll find out the address and we'll clarify it later. But I went up
there later. Recently it was open for art shows that were called 'No Longer
Empty' separately and I went there and I photographed -
Oh yes OK I know what you're talking about, the old courthouse building.
Yes, yes, yes. Ok. Yes.
Carol Zakaluk: The old courthouse building with the statue of a woman
00:55:00holding a spear or something sitting on the second floor you can see it when you
ride by on the 21 bus. Anyway, so that's where they got married and then
they bought some peonies and you should see their wedding photo. Oops.
Amy Starecheski: These microphones are just tricky. Do you want to grab the photo?
Carol Zakaluk: Ok. I'll grab the photo. I'm going on and on about this.
Amy Starecheski: No I'm loving it. It's amazing that you know all that
so few people really know their family history this way.
Carol Zakaluk: Oh, well. There they are.
Amy Starecheski: Oh my gosh, look at them.
Carol Zakaluk: They're happy. They were extremely well suited and so
happily married for more than 50 years and they just they had never slept with
anybody else and they never did in their entire lives, it was just each other,
and I guess I could say that without embarrassment, they're dead. But I
mean that's kind of rare. And they were both wonderful,
00:56:00fantastic people and through all the years of Mott Haven's ups and downs
they created inside our house--. Then I skip ahead--. But they made it so
pleasant to be with them inside, that it didn't matter what was going on
outside - well of course it mattered, and it was unpleasant in many ways. The
decline of Mott Haven in the 70s and the late 60s, part of the 80s--, but they
were just, they made this magical world that was so wonderful for kids, you
know? Part of that was my mom. She decided early on in life before Robert's
suicide, Robert's suicide was not the reason, she just decided that her
life was more fun when she made things pleasant for other people. She decided to
make other people happy. Early on in her life as a child and she just
00:57:00got a bang out of giving stuff away and being nice to people and making them
laugh and blowing their minds, like they would say, "I can't believe you
bought that for us" or "I can't believe you brought that for us" or "I
can't believe you made that- those costumes for us for Halloween" or those
extra materials for her classes. She just was like a Mrs. Santa Claus
personified. That's really the closest analogy that I can think of. And he
was pretty fun too. I mean he would love children. He loved animals. He was
super smart and very calm. She was a lot more nervous and flighty and he was
very rock solid. Nothing phased him. Everything was going to be OK.
00:58:00There was nothing to worry about. So the combination of her energy and kind of
manic "oh let's do this, let's do that." She was a great school
teacher. She went on to be invited to be a mentor teacher which she refused
because she really wanted to retire and do other things with her life. But they
were very encouraging of her to go on after retirement to be a mentor teacher.
He, I think was motivated by her to go to college. He didn't even think of
going to college until he got out of the end of high school. Then he thought
well maybe I would like the things I would like to study. So he went to Brooklyn
College and studied geology and got a degree, Bachelor's of Science in
Geology and then he continued at Cooper Union and went three years
00:59:00toward becoming an engineer and did very well, but it began to be harder and
harder, and also by that time they were married and living on the top floor
where they- where they were first living when they were married was in this
house on the top floor which had been made into an apartment for them. So
they're living on the top floor, my brother is born, Stevie Zakaluk, Stevie
Carl Michael Zakaluk, so let's call him Steve C.M. to distinguish him from
Steve W. Steve C.M. is born and living on the top floor. I have many pictures I
can show you on the computer of their life in the 40s. And then Sterling
Sterling decides that he's about to die and he makes Clara the offer and
they then confer. They have a budding family and yes they decide they
wouldn't mind living next door to Harriet, built-in babysitter.
01:00:00So they buy the house next door, 420, and they are so happy there. I have also
incredible photos of 420 when it is all painted and fresh and so happy and
everybody's smiling like a wild man. My brother has toys all over the
place. And then along comes my sister, Susan Zakaluk, and so I have - I've
got a gazillion photos- I can show them now if you would like to see them.
Amy Starecheski: I'm curious to see them but I feel like we should look at
them when we can - maybe like look at them and look at the transcript together
so we can tie them in.
Carol Zakaluk: Ok. So I will not show you those now but this is during the
period when it's the 40s and there are no projects in Mott Haven yet. The
projects on this corner were built in 1961. The Mitchell Houses just
01:01:00west of us and the east of us, I think they were built the Millbrook Houses a
little bit earlier than that. But the influx of Blacks and Puerto Ricans
didn't really come until the 50s. So I think life was different here
growing up for my brother and sister than it was for me because in 1948 I think
is when things started changing somewhat, and a lot of African-Americans started
moving up from Harlem because there were big fires in Harlem then and they
needed places to move to, so they moved here somewhat. And there was a large
influx of people from Puerto Rico. My mom did not- I should have mentioned she
stopped teaching when my brother was born. And she did not go back to teaching
until I was 13 years old. So there was a long period during which
01:02:00they had less money because my mom was not working but which - in which my
mother was home with us. So that's part of that idyllic--. In the house was
giant fun every day. We had a built-in teacher living with us so we could all
read really well by the time we went to school. We were all advanced several
reading levels and they would shove us at a desk off to ourselves. We had our
own reading group and our own math group, all of us. My brother skipped three
times, my sister and I were also asked to skip three times. And my mother said
"no" for my sister and I because she had learned with my brother that he got to-
when he got out of Bronx Science High School, he was not old enough
01:03:00to go to his preferred college, which was West Point. He really wanted to follow
my father into the military because when my father left World War II, he was -
really wanted to stay in the military. The military that had made him a Captain
when he hadn't even done anything. You know he was "Stay, stay in." But my
mother said, "No, we really- really need you at home. We'd really like to
have you here with us. Plus we don't want to move all the time. Look at
this great situation we have." And what happened with my father's parents
is that after 100th Street, as soon as my brother was born, they decided that
they wanted to be closer to their eldest son, Steve, and so they moved across
the street. So they lived in the corner north - northeast corner
01:04:00building of Willis Avenue and 138 Street [correction: should be 136th St.] and
Grandma Bekhoff lived in this house. My parents lived in 420. Karel Boekhoff
died of tuberculosis which my family used to think was partly because he had
inhaled a lot of sawdust and a lot of possibly asbestos working in the basement.
There was asbestos that I had to have removed before I bought the house. At any
rate he died in 1956, one year after I was born. So he got to know me for a
year. He was super happy my name was Carol. My father wanted my name to be
Coral, C-O-R-A-L, because he was a geology major but my mother said, "No, kids
will make fun of her, they won't understand that, no one'll spell it
right." So I became Carol. But I should consider using Coral as one of my online
names--I didn't think of that until now! So that's kind of
01:05:00where we're at. My father went from being- went to Brooklyn College, then
got three years into being an engineer. And then he went to work for 15 years at
a place called Kollsman Instruments in Elmhurst, Queen being a mechanical
engineer for a company that made airplane parts and specifically altimeters
which were largely used in the war effort and in military applications. So he
wore a white shirt every day, he wore an overcoat. He had a little hat and he
went out 9:00 to 5:00 every day. And then one day, when the military was not
cranking out quite so many airplanes anymore, the entire engineering
01:06:00business across the whole country had to lose 15 percent of people because there
wasn't enough work for them. And because my father had routinely been 15
minutes late, they said, "That's the only reason, Steve, we have to let you
go. You know we're looking for excuses who to fire, to cut somebody and at
least there's this excuse for you." So after 15 years of being an engineer
my father switched to being a teacher. And so, both my parents when I was around
13 years old, went to work at P.S. 30 which is across from Brook Park at 141st
and Brook. And they were both teaching there for -my mother wound up putting in
20 years there my father put in 10 and then they transferred him to a
01:07:00school in Queens and he did his final years of working as a teacher in Queens.
So that was a very cool period because they did lesson plans together. They
talked about teaching every night at dinner. That was the topic of conversation.
My sister wound up going to college at Bryn Mawr. First of all she went to
Hunter High School, which was kind of an elite high school. Then she went to
Bryn Mawr, which was at that time a very elite, hard to get into girls'
school, and then she became a teacher, high school level, at Math, a Math
teacher. So while I was in high school my sister was a high school Math teacher
at Samuel Gompers, is where she started, which is in the South Bronx just a few
subway stops north of here and she just- that was the first interview
01:08:00she went to, and they said, "Would you like this job?" And she thought, "Well,
it's really close to home." She went to graduate school at Fordham, so she
was familiar with being in the Bronx and she just said OK I'll- I'll
try it. And she was there for her first 7 years. And it was a really, really
hard school to teach in because those kids at the time did not want to learn
anything. And I visited her twice and the principal met with me before I was
allowed to spend time with my sister being in class with her. And they said wear
pants. "Wearing pants? Check. Good. You're a woman, you must wear pants in
the school!" All-boys technical high school. And I was supposed to carry books
and look like a teacher even though I was in high school because they did not
want anything to happen to me. And in every class that I attended
01:09:00with Susan they were an average of three students sitting in - in the classroom
and the rest would get up after - the first-- after attendance was taken and
wander in the halls and make money--not make money make noise--and get into
fights. And it was just the opposite of everything you think of when you think
of school. But while my sister taught there or ,you know, you can't call it
"Teaching," she also came up with some very interesting and new ways of allowing
kids who were reluctant students to excel. Including team teaching and making
students work with each other in small groups. She suggested to the principal
that they cluster the tables in small groups and that each small group had a
team leader who was strong and these went- wound up being used
01:10:00throughout the school system, later when she got promoted to different schools
and eventually became Director of Math for The City of New York. So Susan went
on to be Director of Math for The City of New York. Stevie, he went on to -he
went to Bronx Science then he went to City College which was his choice. He
couldn't get into West Point because he was too young. He was 15 when he
went to college. So he went to a school that he, his friend went to. So Nick
Mallon went to City College so Stevie did too. And he did well at City College
and joined ROTC because he wanted to be in the military and he did very well and
immediately went in as a Second Lieutenant and later retired -
01:11:00I'm skipping ahead a lot! But my brother retired as a Major and has only
been retired a few years and loves everything about the military. He's very
glad that he did what he did.
Back to my dad- I've pretty much talked about him. He's - he was a
wonderful, incredible human being. So is my mom. They lived in Mott Haven
happily for a very long time. Eventually they both retired. They continued to
live in Mott Haven for a very short while and then at that point my
mother's great Uncle Charlie who's the one who settled in Southampton,
my mom became kind of his business handler because he was quite elderly so
they made frequent trips out to help Uncle Charlie with this and
01:12:00that. And he wrote into his Will that they would be able to buy his property for
half price when he died. And so they decided that they would, in fact, buy his
house. And that's where they moved to, from the South Bronx to Southampton.
I did not yet touch upon their habits of living in the house. They were, at the
end of their lives -of their work lives, they were- they could be considered
hoarders. They had a lot of stuff and when they moved to Uncle Charlie's,
which was full of Charlie's stuff, they did not take anything from their
house at 420, they just moved themselves and eventually they would come back and
forth of course to visit and they would come to see us, etc. But they
01:13:00did not really clean out their house at 420. So eventually when it became
possible for us to- I guess I left that part out. Let's go back for a
minute to Harriet Boekhoff lived in this house and her husband died. Karel died.
And Harriet still lived here and she still had an apartment on the top floor,
which you remember is where my father and mother lived when they were first
married and their first son was born. When I got to be approximately 21 and out
of college I decided that I would go and live in San Francisco. So I took nine
months and a backpack and I decided I would go across Canada and go
01:14:00slowly and see the world - not really the world, see Canada! I had a thousand
dollars as a gift which is the only money that I had. Uncle Charlie, the
Southampton guy, was very proud of anybody in the family that graduated from
college because he hadn't. And all of his siblings had not. So he gave me a
thousand dollars and I thought, "Bingo! That's enough for the kind of
ticket that would allow me to get on and off the Canadian Pacific Railway as
much as I wanted," an open ticket and I could buy a backpack and travel with my
girlfriend Rene and we could go across Canada. So that's what I did for
nine months when I was 21 years old. I went-.
Let's backtrack for just a minute to my schooling. I went to
01:15:00school locally. We - all of us --went to P.S. 43 on the corner when we were
first, second and third grade because there was no gifted program for anything
up until fourth grade. So we all went to P.S. 43 for first grade. They went to
school, my brother and sister, went to P.S. 43 for second and third grade also.
When I went to second and third grade, the projects were built and they decided
they would divide our block in half and they would send me to the school in the
newly built P.S. 154 in the projects. So here I am entering second grade,
I'm terrified that I'm going to a brand new school. But as it turned
out it was actually wonderful. And they put me in the gifted class, the top
class, it wasn't a gifted class. But in the "one" class because
01:16:00back then they na- they numbered things- 2-1 was smarter than 2-2 was smarter
than 2-3, so I was in 2-1 and then later 3-1 and then I got sent to P.S. 31
which is also known as "The Castle on the Hill " on the concourse at 143rd Street?
Amy Starecheski: Yeah.
Carol Zakaluk: Something like that, and they just recently blew it up.
Amy Starecheski: They sure did.
Carol Zakaluk: They're thinking of building a big development there and
that's going to be very different. But it was a wonderful, wonderful
school. So my -my education was very local: P.S. 43, 154 and then William Lloyd
Garrison school, P.S. 31. And then I went to a private school because now
we're talking about the 60s, the late 60s when all hell has
01:17:00broken loose around here. And the school I would have been slotted to go to, the
public school, my mother having been a principal walked around and asked some
questions and a girl had been raped by a cleaner in the school the year before.
And my mother said, "My daughter is not going to that Junior High School, Clark,
on Willis Avenue. She's going to a private school." So they looked around
and they found one that accepted scholarship students, you know that offered
scholarships. So I went to Rhodes school which was then at 11 West 54th Street
for three years. And that was kind of like my gateway out of the South Bronx
during a rough time because it was in Midtown. It was across the
01:18:00street from MoMA, the garden of MoMA. We could look out of our Science room and
down into the sculpture garden. There were incredible, wonderful things to do on
the way to school and on the way to and from that were a very eye-opening to me,
and it Manhattanized me, and my best friends were either the other scholarship
students or one particular kid whose father was Vice President of NBC. And there
were 11 Vice Presidents of NBC. There weren't just- not to- not to get too
excited about Mr. Knode but Caroline Knode was my very bosom buddy. And then
plus another girl from the Bronx who was just like me who's brother and
sister were overachievers and whose parents were wonderful. She grew up on 160-
175th Street. So we were very much on the same wavelength and had a
01:19:00lot in common. And her last name was also Z. Rosemarie Zeccola. So we sat
together in almost every class, and also at Rhodes one of the reasons they got
scholarship students, they enticed them, was by advancing them in three
subjects. So she and I and four other kids were in three different classes every
term that we were there and everybody else was two years older. So that was a
kind of isolating -a reason for the scholarship students who were poor and from
outer boroughs to stick together. So if I hadn't had Caroline Knode as my
friend who lived in Sutton Place I would not have had a window into what it was
like for people who had a lot of money but that has been kind of a very
interesting aspect of my life- having known her and having had a
01:20:00chance to have sleepovers at Sutton Place and go to Broadway shows, courtesy of
her father. I went to the Horse Show, The National Horse Show. He would treat us
to going out to restaurants which is something that my family didn't do
very much unless it was a special occasion at the Felzmann's. We didn't go
out to eat because my parents never had a lot of money. They had enough money to
go to Southampton and rent a small house for a month or two every week-- every
year. Later it was for the whole summer. When my mother started working again
and she took the job market or we would crash at Uncle Charlie's for a
couple of weekends. And that was our summer vacation. So it wasn't a lot of
money. And the rest of the time we were, we tightened our belts a lot and we
went to the library a lot. My father lived at the Mott Haven Library.
01:21:00He learned to read it-- for when he lived, when he grew up on Fifth Street,
Fourth Street and Third Street. He learned to walk outside that church with the
fence around on 11th Street.
Amy Starecheski: St. Mark's?
Carol Zakaluk: St. Mark's. Yes grandma Zakaluk used to sit in the
churchyard because it had a fence and she didn't have to pay that much
attention to him he could wander around and not get killed. So that's where
he learned to walk, he taught himself to read at the Ottendorfer Library. He was
really smart. And here we, we went at least twice a week to the Mott Haven
Library, and he just loved to read and that was a wonderful aspect of my dad. So
where am I?
Amy Starecheski: Middle School.
Carol Zakaluk: Back at me. I'm at middle school, I'm at Rhodes.
Learned a lot at Rhodes, got advanced in three subjects and then I decided that
I wanted to try to go to one of the public specialized high schools
01:22:00and I took the test for Bronx Science and Music & Art, which were the only two.
I thought Stuyvesant was too far away. And I think maybe then it was all-boys,
still. So anyway, I took the test for those two and they told me after the test
that I had to check the box to select only one because back then - I think it
was a lie. I think they lied to me and to this day I would like to find out
whether that was in fact the case, and who told me that was that Music & Art. I
took - I finished taking the test at Music & Art, and I went up to the head of
the Music department because she was interviewing all the music students and she
said, "I see you've taken the test for Bronx Science as well." And I said,
"Yes, I'd like to be a veterinarian, possibly, someday. You know I'm
not sure what I'd like to do, but it's in my choices. I would like to
have choices." And she said, "I'm very sorry, but you have to
01:23:00choose between the two schools. That doesn't work like that anymore,
you're not-." And, and she erased the mark that I made that I had wanted
the choice that the two schools and then I said, "Wait a minute I'm not
sure that's right. You know, I think you could be wrong about that." And
she held my application up over the garbage can next to her desk and she said,
"Oh really?" And I said, "OK. I'll go to Music & Art. You know, if I get in
I'll go to Music & Art." And she said, "Well, that's better." And she
- as I wound up going to Music & Art, I learned that she was very tyrannical and
very used to getting her own way and everyone was afraid of her. And the whole
Music department, all the other teachers were afraid of her. Anyway
01:24:00that's how I wound up going to Music & Art. So my brother went to Bronx
Science, my sister went to Hunter and I went to Music & Art, which is now called
LaGuardia High School. And I always liked music. My mother, absolutely was a
music fanatic and they were very happy that I went there. So that's how I
stopped going to Rhodes and re-entered the public school system. So I went to
Music & Art for three years, and then I graduated with three degrees: the Music
degree, the regents diploma and the regular diploma and I went to SUNY
Binghamton but I didn't go to SUNY Binghamton first. I went to school in
Vermont. I went to the University of Vermont for the first three years of school
because I did--I wanted to be a veterinarian which is very silly that I did not
push myself to go to Bronx Science and then become a veterinarian. I
01:25:00went to Music & Art and then I decided that I wanted to try to go to school to
be a veterinarian. And I unfortunately applied to Radcliffe and I was about to
get into Radcliffe and I went on the interview and the woman said to me, "I can
get you into Radcliffe if you will say that you would like to go into Music or
Art or English or Humanities because you went to Music and Art," and I and my
stupidity and my truthfulness said, "No, no I think I'd like to be -I think
I'd like to go into Science," and once again she did not do this but
that's what happened to my application.
Amy Starecheski: She didn't hold your application over the garbage bin,
quite, but. Not literally.
Carol Zakaluk: She did not hold my application over the garbage can. No. And she
was an extremely nice woman and I should have listened to her because
01:26:00I would have liked Radcliffe, I think, a lot. I would have loved living in
Cambridge. But I did go to the University of Vermont. It's the only time in
my life I've ever lived in a place that was that was surrounded by nature.
I really enjoyed the time that I lived there. But it never felt like home,
because I am a very city-oriented person and Burlington was just small and you
know, Amy Starecheski, because you're from Vermont. I know exactly, you
know what I'm talking about. So I did love it there and I learned a lot. I
decided very quickly, like after the first year, that the Sciences were really
not for me. I was not flunking but I decided that I liked my English classes and
my Humanities classes much more than the Science classes, and being
01:27:00that it had a medical school the medical, the Pre-Med and Pre-Vet, that classes
were very cutthroat and people stole my frog in Biology, you know my lab sample,
because it was good. And they did not share homework and it was difficult to
keep up with the
Science classes. That was another contributing feature to my becoming an English
major. So after three years, I exhausted the best English professors. And I
decided that I wanted to finish at SUNY Binghamton because for the same price I
could go to a New York State school. And plus my best friend from Rhodes,
Rosemary Zeccola, she went to Binghamton so I had friends, kind of an easy
social network that I could walk into and that was, turned out to be, a
fantastic place for me to go to school. I was really, really happy with
Binghamton and felt totally at home with all the other students there
01:28:00because most of them, lots of them, are from New York City. And I just felt that
we were on the same wavelength totally, and I had such a good time there. I
learned the banjo. I was part of a Morris team, do you know what Morris dancing is?
Amy Starecheski: No.
Carol Zakaluk: It's English Renaissance fertility dancing and it's
traditionally done by men. But back in the 70s I actually approached some women
and said, "I'd like to start a women's Morris team," and they said,
"Well what do you know, we - we're ahead of you. We will, also would love
to have this. We're starting one, we're going to call it the Hearts of
Oak Morris." And what you do is you dance in groups of six. It's supposedly
to bring up good crops at the crop season, you know in- in harvest time. You
wear all white but you distinguish your- your town-- by color of hat
01:29:00and the color of ribbons you have on your outfit, and everyone wears bells.
There's lots of stick clashing there's bell ringing there's a
handkerchief waving it's fantastic. And then in Binghamton we would go on
weekends either in the local towns and we would dance on the green and we passed
the hat and all the money went to beer and we would go to, you know, pubs and we
would then sing songs, also from that time period, we would sing early English
songs. And so between dancing and singing it was very much like being back at
Music and Art.
Also I failed to mention an important thing about my mom. My mom was a really
great swing dancer and she did that in her 20s and in her teens and we never saw
any of that because she kind of gave up being a swing dancer by the time we came
along. But, when we were in- when I was in grade school my mom had a
01:30:00- and she had not yet gone back to work, she had a Girl Scout troop, a senior
Girl Scout troop, and they all met at our house. So these 16 or 17 teenage
girls- and the reason she had the senior group- troop was because my sister was
that age so she figured, "OK I'll be a senior Girl Scout leader because
Susan can be in the troop and we can learn to do things together and make
ourselves better people." So my mom was constantly learning things from merit
badges or making things so that there would be displays for the senior troop.
And I learned a lot from that because I was there and I attended all the
meetings. And I made the paper mâché Swan that was part of the
01:31:00Senior Round-Up for the whole city, and I did lots of projects with them. And
one of the things that she did toward the end of that period was she decided to
learn to be a square dance caller, which her, her best friend, Charlotte Horn,
was already a square dance caller in Queens and making 250 dollars an hour doing
this on cruise ships, at churches, for Girl Scouts, at swimming pools. But just
wherever people wanted that kind of social activity. Charlotte Horn had this
in-- and she had business cards. She was a lot like my mom. She was very
boisterous and very loud and very good at commanding a whole roomful of people,
and liked - liked helping and being with people. So my mom naturally saw
Charlotte Horn as a mentor and began to learn how to be a square
01:32:00dance caller. So when I was in junior high school and high school, and maybe a
little bit grade school I'm not sure, I would be the demonstration person
with my dad. We would get paid twenty-five dollars or thirty dollars or
something--it seemed like a lot-- to carry her record cases. She had hundreds of
records eventually, and my father would carry her Califone, which was the kind
of record player where you could change the speed so that depending on whether
you were working with a room of little old ladies you could make it a little
slower. A group of boisterous teenagers a little faster. So my father would
carry the Califone, we would carry the records and she wound up doing lots of
gigs throughout the city. I think the most people that she ever called for was
400 people in Cunningham Park for The City of New York. She did a
01:33:00summer series in the parks, and one day we went, I was there--we came up, up the
hill, and Cunningham Park, to the place, the plaza where she was going to be
square calling. And we saw the 400 people! And my mother, like stopped dead in
her tracks and said, "I can't do it, I can't do it, there's too
many people! This is more people than I've ever called for in one place.
What am I going to do?" And my father and I both said, "Don't worry.
You've got this, it's exactly the same as for all the other gigs.
It's just more people and we're going to go down there and help you."
And we did it, and we were fine. And there was a P.A. system that worked,
luckily. And we -we did fine. But anyway, that's a little digression about
my mom. She loved to dance and my daughter, who I haven't even mentioned
yet, haven't mentioned my husband, haven't mentioned my
01:34:00daughter! My daughter loves swing dancing, specifically, and she's super,
really awesome, really good at it. She does swing dancing, Balboa, Shag, and a
whole bunch of variations of all of those. And there's evidently a revival
of it in most of the major cities.
So, so now I've taken you through my college years. I got out of SUNY
Binghamton with a degree in English Literature. And I thought, "Well, I think I
would like to go to Library School." Of all the things out in front of me, the
only thing I could think of that I - would be an acceptable career path to me at
the time was Library School. So I was quite interested in doing that. But my
parents told me that they wouldn't help pay for any graduate school
01:35:00because they hadn't helped Susan. And so it wouldn't be fair if they
helped me do that. So then I decided that the second best thing would be going
across Canada, avoiding the whole question of going to work entirely, besides
which my -as I mentioned earlier, my Aunt Mary had wound up marrying Uncle Dave
and had moved to California where he was a chemist [editorial note: where he had
a job related to the application of chemistry in industry] and so when, when I
was two years old, Aunt Mary started having her own children and what do you
know, she also had a two year-old at the same time as my mom had a two year-old.
So why didn't Clara come out with me and meet Mary and her two year-old
Rebecca, now known as Becca? So my mom carted me off to San Francisco
01:36:00when I was two, and there were a lot of pictures of me and my mom in San
Francisco when I was two. Of course I do not remember going. But I did not hear
the end of it! My mom was so taken with the Bay Area and how wonderful it was
that it was a very much a recurrent theme later on. And she bought some objects
that she brought home. She brought -- she went to Muir Woods and she brought
salt and pepper shakers made of red- and napkin rings of squirrels made of
redwood, and a tray that looked like a Dutch shoe. Like her grandfather -her
father brought over from Holland that used to be on the Dutch shelf here my
whole life --but aren't here now, they're in a box upstairs --but that
looked like a Dutch shoe to her, so she bought, bought that. So these things
were around. And whenever "I left my heart in San Francisco" came on
01:37:00the radio which was on constantly to a standard station called WNEW in the
kitchen, whenever that song came on, my mother would go off on a tangent or
diatribe about how wonderful the Bay Area was and how I had to go there someday.
So my idea was, I would go across Canada and I would go to San Francisco and as
it happened a guy that I had really been in love with at SUNY Binghamton had
graduated a lot earlier than I had, in fact had already had his graduate degree.
He had moved to San Francisco and had written about how fantastic it was and all
of his friends were invited to come and crash in his living room and get to know
the Bay Area and hopefully move there, too. So I went across Canada, took me
nine months. I wound up writing a book about it two years ago and
01:38:00NaNoWriMo--, you ever heard of NaNoWriMo?
Amy Starecheski: No.
Carol Zakaluk: NaNoWriMo is National Novel Writers Month. And it's run
through the public library and through many other agencies, also and I happened
to hear about it because I was facilitating book discussion at the Mid-Manhattan
Library right before they closed the branch at 40th Street temporarily for
renovation. So I was teaching once a month. I was kind of facilitating a
discussion of a contemporary novel and they said, "Would you like to try
NaNoWriMo? All you do is you write 50,000 words in the course of November."
It's every November. And so I said, "I'm game." And I picked that
subject because I thought it was something that other people might be
01:39:00interested in. Just also to digress for a minute, when I went across Canada I
went with my friend from Binghamton, Renee Friedman. Renée Friedman was very
active in the women's movement at Binghamton. She was not a lesbian.
Neither was I. But she had a network of lesbian people in Canada in Toronto and
it was a place to start. So the very first place that we went to together was in
Toronto, and we stayed with a group of lesbians and we helped them distribute
literature and we went to their meetings and almost immediately they all assumed
that Renée and I were a couple. We never touched each other we never let on, we
never led them on to think that, but they couldn't believe that we
weren't! They couldn't believe that two women together such
01:40:00as us would not be lesbian, so they would always make sure we had -we were in
the same bedroom. We told them we weren't, but they didn't believe us.
I kid you not, they did not. So after we got started in Toronto they turned us
on to so many other people because they were part of the Canadian Women's
Movement network. So they turned us on to people in Edmonton and Winnipeg and
Saskatoon and all these other places so that we kind of couldn't say no. We
saved money by staying in these other people's houses. So we stayed in
basements, we stayed in couches and living rooms, we stayed on porches, we
stayed only, in the nine months, three weeks in Youth Hostels and the rest of
the time we were with people that we had either networked through Renée's
group or people that we met on the train that said, "Oh I have a
01:41:00friend or a cousin, or you're going to Kamloops you've got to meet
so-and-so, you know. She'll find some place for you to stay." So
that's what we did. And so I thought that that would be a very interesting
book for people, to see what it was like in the women's movement at that
time in Canada and that whole experience. And I had many adventures and they
were all in my book. So I got to Canada I got, then, down to Vancouver. Finally
I wanted to stay in Vancouver, I thought it was lovely. But everywhere that I
went to ask for work-- they thought that I was an American! All I had to do was
say, "Do you have any work?" And the very first thing they would say is, "You
are an American, aren't you?" I have no idea how they knew I was an
American. Or maybe that's such a common thing, for Americans to go to
Vancouver and ask for work that they just - I have no idea what I was
01:42:00wearing that let them know, or something about my accent. Maybe they- I think
I'm more New York now, that you can hear New York in my accent now a lot
more than at that time. I think the past 33 years of living here in New York
after coming back from my time in California, I think that really made me into
more of sounding like a New Yorker. But back then I really didn't so much.
Anyway, didn't work for me to stay in Vancouver so I went through Seattle,
I visited my brother who was living in Colorado Springs at the time for a couple
of weeks and then I went to San Francisco where I lived a total of five years.
And I absolutely loved San Francisco. I thought my mom was completely right. It
was absolutely the right place for me. When I left the Bronx and when
01:43:00I got out of college I never wanted -I never thought of myself as really liking
the Bronx and wanting to come back to the Bronx. In fact I wanted- My goal was
to maybe work in publishing and live in Manhattan or Brooklyn. Any place but the
Bronx. I really did not like the Bronx and then I changed later when I left San
Francisco and I decided to come back to the Bronx, I came back with a sense that
I would try to make it better. And that -came back happy to come back to my
family, to a place where people understood my educational background. The whole
time that I lived in San Francisco and I said, "Well, I went to SUNY
Binghamton," nobody knew that that was one of the top state schools. They
shrugged it off. "Oh you're not from California--you're not
01:44:00from here." And so I didn't have -there was nobody that I could name drop
New York things with quite so much. Certainly in my work situations in San
Francisco, I was low man on the totem pole in most of the jobs that I had, and I
had very interesting jobs when I was there.
My first job in San Francisco--when I got there I stayed in Jeff Perrone's
living room for the first month, and just about then I ran out of money so I
needed to get a job so that I could get out of Jeff Perrone's living room-- and
I took the first job that I was offered, which was bookkeeper and assistant in a
waterbed Factory Showroom. Amy Starecheski is laughing, as she should be!
Amy Starecheski: That is so 1970 - what is it? 1977 or something at
01:45:00that point, '76.
Carol Zakaluk: That is exactly, exactly right. That is where I am. I think it
was '78 when I got there. And Alexis Makar who owned Oysterbed Waterbeds,
was from Astoria, Queens and she was Ukrainian and she heard those two facts
about me and wanted to give me a chance and liked me and it was only 10 blocks
from Jeff Perrone's living room. And so I began working with her, and that
is the only experience that I've ever had working in a business situation.
And it taught me so much about the way that all businesses run. That I, in
retrospect, really learned a tremendous amount from that one year and very, very
quickly--because I was her direct assistant and we were - what she did was she
showed me a little office and it was knee high with paper. I mean
01:46:00like water in a sewer. There were papers: invoices and bills and materials on
all of the different things that she sold in the store that she - basically
said, "Organize it." And so I made a pile of the pink ones and a pile of the
yellow ones and she would come in for ten minutes at a time during the day when
she wasn't selling on the sales floor and she would say, "This is what an
invoice is. It has two parts, now put them by date." And then she would be gone
again. So very quickly I learned how to run the whole business. And I got to be,
sort of, her second in command so she and her boyfriend could go to Mexico for
two weeks and leave me in charge of the five guys in the shop who were making
platform beds and simple dressers and staining them in- I don't
01:47:00know how many feet it was. It was a whole half of a city block. It was very,
very big. We had a showroom that had at least, like 25 living rooms worth of
stuff in it! You would walk in and you would see, you know, a queen size or king
size bed and all the furniture to go with it, ensembles sort of. And you could
walk around and see 25 of those and then you would go up to the salesperson and
say, "I'll take the California King in the Ticonderoga brand" and whatever,
and then you'd have sample water mattresses also. So there would be people
coming in and lying on all of these things and sometimes it would be a dirty old
man who would say, "Honey can you lie down with me? I just want to see how this
works with two people." And you would kindly say, "No sir, I'm not allowed
to do that." But anyway, that was my first job and then I decided that I wanted
to do something in publishing before -I didn't want to get stuck
01:48:00in business. So I went- I took a job with Friends of the Earth Books it was
Friends of the Earth headquarters, the environmental organization, but they had
one wing that was their Book Department. So I was a Proofreader and I was hoping
to be Editorial Assistant. I was kind of -that's why I was there, I was
waiting for her to leave so that I could get that chair. But I never wound up
doing that. I did also sub in the Graphic Design Department and I found research
materials for books that they were writing as Friends of the Earth. So that was
a very interesting and good job in which I felt I was helping the world and met
a lot of really terrific people. But it did not pay me a lot of money.
So once again I switched and I became a- the proofreader, the only
01:49:00proofreader for a publication that's a little bit like The Village Voice
for San Francisco, called the San Francisco Bay Guardian. So then I was the
Proofreader for the San Francisco Bay Guardian and I had that job for a while. I
was in line to be the "Duffie," which is the publishing slang for Production
Manager. So I was, they offered me, the job of Duffie when I discovered that I
was pregnant and I will talk about David Wills now, my daughter's father.
He was sort of 15 years older. Does that sound familiar, in my family? He was
English. He is English. He was very, very handsome. And he worked for
CoEvolution Quarterly, which has a lot of cachet in the Bay Area, and
01:50:00they were busy coming out with the next Whole Earth Catalog, which if
you're my age, the Whole Earth Catalog was a very big deal. You're
familiar with what that is-- The Next Whole Earth Catalog? There were a series
of them, and David and another woman, Kathleen, were the Co-Art Directors for
CoEvolution Quarterly at Gate 5 Road in Sausalito. So David is kind of an art
star who lives in the Haight-Ashbury. By now, after my one month on Jeff
Perrone's couch, I found a place in the Haight-Ashbury which- looked at three
different apartments. One was in -on Grant Avenue area in North Beach-- really
like that place. But the place that had the friendliest, most
01:51:00welcoming housemates and was also the cheapest was in the Haight-Ashbury. So I
said "Yes" to that one. It also was the only place I could find that had other
people who did not want to have communal cooking. And I, like my mother, who
hadn't made a turkey until she was 50--I have never been a jolly, happy
cook. I have never really wanted to tie myself down to the kind of communal
living where I had to produce a meal for a group of people every Wednesday, or
whatever. So I said yes to living with 3 men in this apartment at- in the Haight
and they were very nice guys. Very, very nice people. And during the time that I
lived with them we had a very good time just being friendly and happy-go-lucky
and telling jokes and taking care of one another, somewhat. You know,
01:52:00so I lived at 1652 Haight Street and David Wills lived two blocks away on
Ashbury near Haight at 528, no sorry, 524 Ashbury. And David and I -I think
started going out pretty much as soon as I got to San Francisco, like within a
month or so I met him on a bus. We got on a crowded bus in downtown San
Francisco. I had my 35 millimeter camera with me over my arm and I had just
picked up some contact sheets for my latest shots at a place that happens to be
where he got all his contact sheets. So we're in this crowded bus and
he's standing right next to me and he says I have an envelope from this
place that he goes to all the time and he sees I have a camera and he's an
artist. So he starts talking to me about photography, etc. and I hear
01:53:00he's from England and I am not immediately smitten but he was very
charming. And then we said goodbye. And what do you know, we got off at the same
stop. So he said, "OK you're my neighbor, let's go have a coffee." So
after that we started seeing each other very regularly. But David was of the
free love variety, shall we say, and his - one of his previous lovers had been
Margot St. James who's famous in the Bay Area as being the woman who later
started COYOTE, Call Off Your Old Tired Ethics, a prostitutes rights group. So I
think both on his own, and because he had lived with her, his thinking was
evolved, shall we say. And so during the time that I was involved
01:54:00with him he had at least two other lovers at the same time. And one of them was
a younger person, five years younger than me, who actually lived in his
apartment. But I did not know that when I first met him. We went to his
apartment and he said, "These are my housemates. Here's Cathy, my
housemate," and I just assumed like my living situation and most young people in
San Francisco, she had her room and he had his room and they shared the
apartment but no, he and she actually shared a room and they were a couple but
they had an open relationship. So I fell in love with him before I understood
what was going on that way, and then it was very hard to fall out of love with
him. So during the time that I knew him I made a big effort to bend my
thinking to his way. But really, I discovered that I was unbendable,
01:55:00that I was the child of Steve and Clara, who never slept with anyone else in
their lives and who were totally devoted to each other and very happy. And there
was nothing I could do about it. That's the way that I was made. And so, at
the end of five years, actually at the end of two years, I became pregnant and I
decided that I really wanted to keep the child. There was a period of time when
you know we discussed it and I think David was hoping in some ways that I would
lean toward having an abortion because his other girlfriend, Cathy, had already
had several abortions, and it just wasn't the right thing for me. I was
five years older. I was almost 25. I was very settled. I had a
01:56:00college degree. I had been to Europe. And I had had real jobs. I just wanted to
have a child. And I realized that I might be a sole parent, what do they call that?
Amy Starecheski: Single parent?
Carol Zakaluk: Thank you. A single parent. I might very well be a single parent
but that didn't matter to me. I was strong enough to do it and I decided I
wanted to have her. So I did have her. And I continued to live with my three
male roommates. And they thought it was wonderful. They thought she was great.
Occasionally they would watch her for half an hour or an hour while I had to go
do something and they were very responsible and we were very grounding for them,
too, because they were single guys. But at the end of that first year
01:57:00a place came up next door to David in an apartment with a couple who had a
same-age child who was my daughter's best friend, and we used to share
babysitting. We had kind of a baby sitting co-op where three mothers had three
same-age children, one boy and two girls -- actually sorry-- there were four
mothers. Oh my goodness I almost forgot there were two boys and two girls and we
had an arrangement where we each had all of them six hours a week so that each
mother had six hours on two days, two days three hours each where they could,
you know, run wild without children which was wonderful and I thought that that
was very Bay Area, really swell, and the other mothers were top notch and really
smart, the other kids were cool. So I moved in with this other couple
01:58:00and their same-age child. But unfortunately, once Annabelle, and actually my
daughter's name is Ann, she was born Ann, and only recently, decided in the
past five years, she decided she wanted to -she was no longer Ann, she was more
than just Ann, she wanted to change her name to Annabelle. So you will hear me
call her both Ann and Annabelle. So anyway, there I am, living now next door to
David with this couple. And unfortunately once we moved in the kids stopped
being best friends because Nina, the other little girl, it was too close for
comfort for her. And there was nothing we could do about it because I had
already moved out of the other apartment, I had already signed a lease, and
there I was. So we did our best. We did share babysitting. We did
01:59:00share some cooking once in a while. And for the most part they stayed at their
end of the apartment and we stayed at our end of the apartment unless we were
sharing childcare and for the most part we were absolutely fine. But at the end
of one year it became apparent that David really was put-upon that I moved
closer to him. That wasn't good for him and he felt that I was too close
and watching, watching his every move sort of is what he felt. So he decided
that he would withdraw from me somewhat and I decided that I would move, and
move back east, and move into the apartment in my grandmother's house that
was available, and pay rent to her which would help her because she was
about 84, 85, 86 and in need of some additional income, and have
02:00:00built-in babysitting so that I could maybe go out and meet somebody else and
have a different environment because I was very, very unhappy, as one might
imagine. I just decided I was done with trying to have any kind of open
relationship. I was done trying to be tolerant of David having other girlfriends
and it was such an inadequate, small amount that I was getting from him both
personally. And yes, he did take care of Annabelle somewhat, sometimes and, and
he loved her very much and I had no- no qualms about his parenting whatsoever. I
decided it was better for me to come back and be in the bosom of my family, so
to speak, in a place where I felt at home and put some distance
02:01:00between me and the West coast. So that's how I wound up coming back to the
Bronx and that was- Annabelle was born July 5th, 1981 and I moved back when she
was just shy of three years old, two years and eight months. I moved back to the
top floor of 422 and I just took my time, I took at least six months. I made it-
I painted it. I moved things from my room next door which was pretty much the
way that I left it, into this house, helped my grandmother out. I raised Ann, we
had two friends who had children the same age here in the West Village.
They're still here as a matter of fact. And so I used to
02:02:00regularly meet them in the West Village at the Leroy Street Library which if you
don't know the Leroy Street Library they have a pre- nursery, a special
nursery upstairs and there's a lot of literature about that age group and
it was a wonderful place to go in the winter. The two places that we used to
regularly go were the basement of the World Trade Center where the kids could
run and run and run and run in the winter for blocks and blocks, basically
without impediment, and be fairly warm, and the Leroy Street Library upstairs
nursery which had all kinds of play structures, an incredible number of books,
and we could chat. It was just a really perfect place for young mothers to be
together and fathers too.
And then I decided that it was time to get out and start dating
02:03:00people again. So I looked at the Village Voice advertisements in the back and I
picked three ads and I answered three different ads and each date was funnier
than the next. One guy showed up in a plaid suit and I looked in the window at
Elaine's at him and I turned around to go. And he came out and found me in
his plaid suit. And we, we went in and ordered one drink and the first few
sentences he said that he had been in deep, Freudian therapy for years! And I
had one drink with him and said, "Thank you very much. Very, very nice meeting
you. But I'm sure this is not going to work out." A second guy was a
extremely rich fellow who had multiple degrees and had owned a plane
02:04:00and many special antique cars and had worked as the person who was the sidekick
of Princes and Dukes, he was English also, like David. And I thought, "Oh, an
Englishman who has multiple degrees, I'm interested in meeting him," but
when he came to the front door to pick me up I thought he was standing on the
stoop, on the main part of the stoop and that he was very, very short,
let's say, he, was very short and also he was just not -his- his experience
level, he was very much full of himself and it just wasn't appropriate for
me either. The third person turned out to be a very nice guy and we actually
went out twice just as friends and we both felt the same way about each other,
we liked each other very much. But nothing romantic. But I was in that head
of meeting new people and being willing to talk to strangers when I
02:05:00was planning on going out with a bunch of girls dancing, and it was my turn to
pick the place, pick the time, pick the date and then call everyone. So we were
all supposed to go dancing at Danceteria or Acme or someplace like that, some
area, some disco. We were all going to go together and it actually wasn't
either one of those. It was the Roxie. No - what's the name of the place on
11th Street? Webster Hall. Webster Hall! So we were supposed to go out dancing
at a place that had a band. And so we got to be six o'clock on Friday and I
was supposed to call them all and I called my friend Pat Flanagan and they say,
"Pat, I-I can't tell you because I can't get through to the
02:06:00nightclub to find out the schedule when the band is going to be on." And she
said, "What do you know, I just met this fellow around the clock-- around the
corner from where I live. And it seemed like he might be your type. He
wasn't my type. He wore a natty suit from a vintage place and he was a
little scruffy and you know I like guys with money. And guys who are very nicely
dressed, business look who, you know, do very well for themselves--but this
might be your type, Carol. So he works for the band that's playing. And I
just met him last night. I have his business card. Hold on. Why don't you
call him directly?" So I called John Knoerr and I asked him what time Mink
DeVille was going on at Webster Hall and he said, "Oh well, sorry to
02:07:00tell you but we played last night and we're not playing tonight!
There's no band tonight, but you just moved here from California and I just
moved here from the Bay Area. So why don't we have a drink? So I said,
"I'd be very happy to meet you, to have a drink with you." Being that I was
on a role from my Village Voice advertisements, "--but I want to tell you before
I come down to Tribeca to meet you that I have a daughter who is three years
old. And we come as a package. So if you're thinking of this as a possible
date scenario I just wanted to throw that out there so that you could -if you
don't want to meet me I'll be completely understanding of the
situation." And, there's like, I don't know, five seconds,
02:08:00and he says, "That doesn't matter to me. I'd be happy to meet you. You
know, please come down," and I said, "I like to travel. I 'm happy to come
down and meet you in your neighborhood." And then he said, "Like to travel.
Good, because I'm a, you know, freelance sound engineer and I travel for a
living and that's what I do." And that was the- I met him on April
Fool's Day, 1984 and we have been together for 33 years and we're now
married. We got married after 20 years of being together and our original plan
was that I was going to move to Tribeca and live in his loft but the loft got
sold very shortly after we became an item so to speak. And so that was no longer
an option. And so I invited him to move in here. So that's how
02:09:00John and Carol wound up cohabiting in 422. And I see it is now much past two and
a half hours, if you would like to stop, we can.
Amy Starecheski: I have so many questions. But it probably -no, I know
you're part-- you're probably tired of talking. Let me just think if
there's anything quick that I want to make sure to clarify, just these are
just like details. Your parents, when they moved to Southampton, they get to the
house next door. Did anyone live there still?
Carol Zakaluk: No, but they -all their stuff was there.
Amy Starecheski: OK. So that's, yeah, ok.
Carol Zakaluk: My job. When they moved they hired me at five dollars an hour to
clean their stuff out which was a very slow process because I had a child to
raise and because she was in gifted programs necessitating me taking
02:10:00her sometimes an hour for a first, second third and fourth grade, her gifted
program was by the Zoo. So I took her an hour, dropped her off, came home, an
hour, picked her up. And so I was on the bus for four hours every day and I was
editing freelance on the bus while I was riding. But it was a lot, because I
really believe in gifted education and that's what we did back then. It was
different than it is now. And you know she was IQ tested and I had to justify,
you know, taking her outside the neighborhood because she was the only white
kid. And so that was considered justification for her to be in a classroom where
one third of the kids -the other kids were white, so, anyway.
Amy Starecheski: Was that explicitly something that you talked about with the
Board of Ed or the Department of Ed about -that she would be the only white kid?
Carol Zakaluk: Yeah that was one of the justifications for her, to be
02:11:00-one of the acceptable justifications for moving her, finding places to put her
other than in this neighborhood.
Amy Starecheski: I mean there's so much that we should talk about what we
probably should pause there and then pick it back up in another session and go
back and fill in a million things. But that was a fantastic, thorough introduction.
Carol Zakaluk: I'm sorry- I'm sorry it was so digressive. I feel like
I was all over the place.
Amy Starecheski: No. It was extraordinarily linear actually. I mean I think I
don't think one could really tell life story and tell a history in a much
more linear way. You know you had side branches but there was quite a structure
to the whole thing. So-.
Carol Zakaluk: You followed it pretty well?
Amy Starecheski: I followed it, yeah. I would have interrupted you if I
wasn't following anything.
Carol Zakaluk: OK good. Well I didn't get to so many things that I would
love to talk about more.
Amy Starecheski: Yeah. Yeah.
Carol Zakaluk: They're really digressive to Mott Haven.
Amy Starecheski: Yeah.
02:12:00
Carol Zakaluk: They're germane to me.
Amy Starecheski: Right.
Carol Zakaluk: But at some point I have to start talking about what happened out there.
Amy Starecheski: I know, I know. Is there anything that you want to add before
we close or anything you want to just like make a note of now on the tape to
come back to?
Carol Zakaluk: I guess I feel the need to explain my relationship with John a
little bit and what it was like living with somebody who went on the road and
how my life was changed by going on the road with him because our deal was if he
was gone for a month I had to join him for a week. And none of the bands he ever
worked with, which were very professional, top notch, Violent Femmes, Midnight
Oil, he opened up Tutone- That is a song called "8 6 7 5 3 0 9 Jenny"
02:13:00when - he worked for real bands, and they were on tours with Tom Petty and Bob
Seger, and real people liked me and they didn't mind. And there were no
other women on the road who were girlfriends or wives who were allowed to do
that. But I was allowed to do that. So I think that I was very lucky. And I
think I was very- a team player and I could be one of the boys when I was
traveling around in the motor home or the bus or whenever it was they had, the plane.
Amy Starecheski: Did you bring Annabelle?
Carol Zakaluk: No. But what was joyous was that Annabelle, Ann at the time, was
the only grandchild and her -her grandparents lived next door and they
loved her and doted on her. At first it was some of the final years
02:14:00that my mom was working. So this only would happen if it was summertime or -or
they were retired. So we made it work.
Amy Starecheski: What year was it when your parents moved to Southampton, about?
Carol Zakaluk: I'll find that out, but in a way it was not a-
Amy Starecheski: Yeah, it was a gradual-
Carol Zakaluk: Charlie was dying and for that period. They were going out there
a lot. In his final years, he lived to 96.
Amy Starecheski: OK.
Carol Zakaluk: But I'll find out what year-.
Amy Starecheski: So when you move back your parents were still next door?
Carol Zakaluk: Yeah. Oh for years and years. Many years.
Amy Starecheski: Ok. Ok.
Carol Zakaluk: And then that period of cleaning out their house took over a year
because I was only doing it a couple of hours a day. It wasn't all day
long, so.
Amy Starecheski: So much. All right. Well thank you so much. When we come back I
- I will probably fill in more Mott Haven details and I'm want
02:15:00to just pick the story up where it -where we ended too, but-.
Carol Zakaluk: Yes.
Amy Starecheski: Thank you so much and thank you for taking the time to pull out
all these beautiful photographs. It's fantastic to get to see them.
Carol Zakaluk: Well it helps to figure out who's who, I think.
Amy Starecheski: Yes. Yes.
Carol Zakaluk: And you know to have a sense, and I will bombard you with five
minutes of pictures from the 1940s -
Please. Yes.
Amy Starecheski: And show the backyard the street. There's this picture in
between my front two doors that shows the corner before the projects came down
and when the third avenue well was still up. So and that's what I see in my
mind's eye when I walk to the corner. If I close my eyes I see that. To
this day.
Yeah.
Carol Zakaluk: Before the projects, so.
Amy Starecheski: Oh that's so neat. And what we should do is, you know, if
you want to we can scan these and take the digital photos you have and package
them and put them with the audio if it gets archived -
Carol Zakaluk: Yeah, sure.
Amy Starecheski: So that anyone who wants to look at them while
02:16:00they're listening or reading can, can make the connections too.
Carol Zakaluk: Yeah I guess captions, I guess you can caption them or something.
Amy Starecheski: Right. Yeah you probably want to caption them. Yes. Right.
Carol Zakaluk: Just make it clear what is-.
Amy Starecheski: Alright thank you I'll stop it there.
Carol Zakaluk: Yeah, OK.